Organic alludes to both process and tools as the project is to explore the timbres of the surrounding environment (wood, metal, water, doors, railway, river etc) and the character of the instrument/s reacting within/to it. Each piece grows from a dynamic between composition and improvisation and may follow set harmonic principles or stray completely from the set, bound only by a certain flow emanating from a reaction between the field (city, river, room) and the tool. The field in the case of the tracks here is Barcelona and Berlin – from the intimacy of the creaking floorboards of Thrystero’s loft to the majesty of the city streets to the Barcelona underground.
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